Hey folks, my local community radio station is having its annual funding drive next week! You can help support listener and volunteer powered radio by donating; any amount is appreciated, but you're able to snag some sweet stuff along the way!
You can also tune in all week for some fun radio, my show will be on the 25th from 11pm-12am MST.
You can learn more here: https://cjsw.com/donate/
Tonight!!!
Stop! Releasing 2 minute songs!! Idc about TikTok!!! If it's a banger it needs to be at least 3:30.
6:50*
UGH! NO I HATE ANY AND EVERY SONG LONGET THAN 4:00 BY DEFAULT!!!
You’re not a music lover you’re a music tolerator. this is a conversation for music lovers only, which you are not. Remember that
When youโre too repressed and stoic and sheโs too whatever ๐
BARBAROUS UPDATE! CHAPTER 8 / PAGE 18
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Simon Boudvin - Concaves Series, 2005 - 2012
if I had this, I would never turn it off
i really love how mad this has made some of you i hope you let it consume you to the point of no return
the thing with edibles is if you only eat half the two halves are gonna know theyre separated. and theyre gonna to know that they arent meant to exist in that state of separation and they will yearn for reunification. so the edible half in your stomach will be calling out to the uneaten half, forcing you to eventually succumb and eat the other half so they may be reunited. many such cases
this too is yuri
Seijun Suzuki



PATRICK NAGEL
Lucky Strike ad campaign (Spain)
Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.
This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother ๐)
If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!
Misprints can really reveal what colors were used and where, I love misprints...
Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!
You can see the bleed, the wobble of the lines on the rug, the fading, the dirt... beautiful!!
Thinking in terms of traditional-method art while drawing digital can help open avenues to achieving that genuine, vintage look!
ALSO!!
YELLOWING!! Digital art is very blue-light based. Cold, clean, flat. But traditional art has warmth to it. Why?
Over time, paper gets yellowed with dust, oil, dirt, and nicotine from cigarettes! So colors got warmer. This makes art look pretty aged, on top of the slight toned papers and hand made/factory made inks they printed with.




















